Author: Tennessee Williams

Cites

• Hart Crane (1)
  • IN: A Streetcar Named Desire (1947) Play, American
    EPIGRAPH: And so it was I entered the broken world To trace the visionary company of love, its voice An instant in the wind [I know not whither hurled] But not for long to hold each desperate choice.
    FROM: The Broken Tower, (1932), Poem, US

Cited by

• Sarah Combs (2)
  • IN: The Light Fantastic (2016) Contemporary, Young Adult Fiction, American
    EPIGRAPH: Nowadays the world is lit by lightning!
    FROM: The Glass Menagerie, (1944), Play, US
• Kenny Fries (1)
  • IN: Night After Night (1984) Poetry, American
    EPIGRAPH: Revolution only needs good dreamers who remember their dreams
    FROM: Camino Real, (1953), Play, US
• Melissa de la Cruz (1)
  • IN: Lost in Time (2011) Fiction, Young Adult Fiction, American
    EPIGRAPH: What on earth can you do... but catch at whatever comes near you with both your hands, until your fingers are broken?
    FROM: Orpheus Descending, (1957), Song, US
• Jenny Han (1)
  • IN: P.S. I Still Love You (2015) Fiction, Young Adult Fiction, American
    EPIGRAPH: Time is the longest distance between two places.
    FROM: The Giant Menagerie, (1944), NULL, US
• Karen White (2)
  • IN: The time Between (2013) Fiction, American
    EPIGRAPH: For time is the longest distance between two places.
    FROM: The Glass Menagerie, (1945), Play, US
  • IN: The Time in Between (2013) Fiction, American
    EPIGRAPH: For time is the longest distance between two places.
    FROM: The Glass Menagerie, (1945), Play, US
• Morrison,Toni (1)
  • IN: Sula (1973) Fiction, American
    EPIGRAPH: Nobody knew my rose of the world but me…. I had too much glory. They don’t want glory like that in nobody’s heart.
    FROM: The Rose Tattoo, (1951), Play, US
• Rebecca Miller (1)
  • IN: Jacob's Folly (2013) Fiction, American
    EPIGRAPH: Wild things leave skins behind them, they leave clean skins and teeth and white bones behind them, and these are token passed from one to another, so that the fugitive kind can always follow their kind...
    FROM: Orpheus Descending, (1958), Play, US
• Sean Michaels (1)
  • IN: Us Conductors (2014) Fiction, NULL
    EPIGRAPH: In memory, everything seems to happen to music.
    FROM: The Glass Menagerie, (1944), Play, US
• Monika Fagerholm (1)
  • IN: The American Girl (2009) Fiction, NULL
    EPIGRAPH: Nobody knew my rose of the world but me.
    FROM: The Rose Tattoo, (1951), Play, US
• Sarah Creech (1)
  • IN: The Whole Way Home (2017) Fiction, American
    EPIGRAPH: In memory everything seems to happen to music.
    FROM: The Glass Menagerie, (1945), Play, US
• Tamara Ireland Stone (1)
  • IN: Time Between Us (2018) Fiction, American
    EPIGRAPH: Time is the longest distance between two places.
    FROM: The Glass Menagerie, (1944), Novel, US
• Yasmine Galenorn (1)
  • IN: Changeling (2007) Fantasy, American
    EPIGRAPH: We have to distrust each other. It is our only defense against betrayal.
    FROM: NULL, (None), NULL, US
• Graeme & Buist, Anne Simsion (1)
  • IN: Two Steps Forward (2018) Fiction, NULL
    EPIGRAPH: There is a time for depature, even when there is no certain place to go.
    FROM: NULL, (None), NULL, US